+ Emily Tracy - London based public artist & participatory projects

ABOUT

Emily Tracy b 1970, is a London-based artist working across collage, assemblage, installation, public art, and socially engaged practice. Emily studied fine art (painting) at Brighton Polytechnic, followed by an MA at Slade School of Art, London.

Solo exhibitions:

Slip Stream, Wilton Way Gallery, Hackney. (2026)

‘Taking Things Apart’ Gallery at The Playroom (2025)

‘Make Yourself At Home’, Kings Culture, Kings College, London (2024)

‘Constant Effort’ B-Side Festival, Dorset (2023)

‘Cut Outs’ That House On Mare Street 195 Mare Street, London (2023)

Curation:

'Assembly' Hackney Arts Week, Clapton Commons, London (2026)

Group exhibitions:

Fragments, Hypha Curates, The Atrium Hypha Gallery South Bank, London (2026)

Moveable Feast , curated by Cathy Wills, Hypha Curates. Euston Tower, London (2025)

100/50 Who’s Counting (2025) Unit 1 Gallery/ Workshop

Curated II: Womxn at Unit 1 Gallery/ Workshop (2022)

‘Cosomoscope’ Torino Meeting House Gallery (2024) ‘Tilt’ Finch Gallery (2022)

‘All Along’ Shuttleworth Gardens Gallery, Greensand Country festival (2021)

Space Gallery, LCN London showcase (2018)

Bow Open Nunnery Gallery (2016)

Tracy & Hobbs Akkigalleria (Finland 2014)

Socially engaged participatory projects (Selection):

Hackney Council, Dialect and Heritage archive, University of Leeds, Up Projects, Metal, Space Studios, Bedfordshire Central Council, The British Museum, The British Library, and The Museum of London.  Tracy received Arts Council funding for award winning project Tracy & Hobbs ‘Waterfolk’ with UP Projects, ‘Lets Stick Together’ in 2020.

Residencies: KYN, Bickley, Whitton Library, Portland Bird Observatory, Greensands County.

Artist Statement

Working primarily with found and obsolete materials, Emily explores how images, archives, and systems of knowledge shape our understanding of the world.

Her recent practice begins with vintage National Geographic magazines from the 1970s. Through processes of cutting away, redaction, extraction, and reassembly, she dismantles the authority of these publications, exposing their hidden structures—margins, staple holes, registration marks, and fragmented captions. Rather than building images, Tracy reveals what lies beneath, transforming collage into a process of excavation.

Alongside printed matter, she incorporates discarded objects and analogue data containers, including record sleeves, CD covers, and slide boxes, reflecting on the politics of collecting, classifying, and preserving knowledge. Her work reconnects with the histories of collage and découpage while examining their relevance to contemporary questions of ecology, memory, and power.

Drawing on landscapes such as wetlands, tundra, and ancient sites marked by human intervention, Tracy's work considers the fragile relationship between human activity and the natural world. Through tactile, layered compositions, she creates poetic spaces where environmental histories, archival fragments, and material traces converge, inviting new ways of seeing and understanding the interconnectedness of people, place, and time.

ARTWORKS

Please contact for more information on artworks and to purchase.
Shipping not included.

NEWS

CONTACT

Phone: 07985 567309

emily@emilytracy.co.uk

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